
{"id":6005,"date":"2023-05-01T12:59:01","date_gmt":"2023-05-01T09:59:01","guid":{"rendered":"https:\/\/fecha.gr\/extra-activities-2023\/"},"modified":"2023-05-01T13:22:01","modified_gmt":"2023-05-01T10:22:01","slug":"extra-activities-2023","status":"publish","type":"page","link":"https:\/\/fecha.gr\/en\/extra-activities-2023\/","title":{"rendered":"Extra Activities 2023"},"content":{"rendered":"\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Monday 22 May 2023 \u2013 With free entry<\/strong><\/h3>\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Hellenic American Union (22 Massalias str., Athens)<\/strong><\/h4>\n\n<p><strong>18.30<\/strong><\/p>\n\n<p><strong>THE DEER \/ OREINA (CIERVO)<\/strong><br\/>(Koldo Almandoz, Spain, 2018, 85\u2019)<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"126\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/oreinafilm3-300x126.jpg\" alt=\"\" class=\"wp-image-5918\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/oreinafilm3-300x126.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/oreinafilm3-1024x429.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/oreinafilm3.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p>Khalil is a rootless young man who lives in the city\u2019s margins, where industrial estates bank onto the river and the marsh. He survives as well as he can, spending his days with a poacher who shares a house on the riverbank with a brother he has not talked to for years. On the shores of the marsh the tides mark the time for love and indifference, friendship and revenge.<\/p>\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p><strong>20.15<\/strong><\/p>\n\n<p><strong>Short films: cortoFeCHA 2023<br\/><\/strong>Duration 62\u2019<\/p>\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"126\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/anablanca-dnxhr444-12bit-st5-1-2110202100-04-40-11still035-300x126.jpg\" alt=\"\" class=\"wp-image-5845\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/anablanca-dnxhr444-12bit-st5-1-2110202100-04-40-11still035-300x126.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/anablanca-dnxhr444-12bit-st5-1-2110202100-04-40-11still035-1024x429.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/anablanca-dnxhr444-12bit-st5-1-2110202100-04-40-11still035-1536x643.jpg 1536w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/anablanca-dnxhr444-12bit-st5-1-2110202100-04-40-11still035.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p><strong>ANABLANCA (Adi Kutner, Argentina, 2022, 35&#8242;)<br\/><\/strong>Ana, takes the overnight bus from Buenos Aires to a small town in the middle of nowhere. Paranoid and full of grief, she sits down in the bus terminal cafe next to Blanca, a mysterious and intriguing woman, determined to help Ana out of her fragile state. This encounter will forever change the two women\u2019s lives as their fates begin to intertwine.<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/fotogramas-vacas-3-300x169.jpg\" alt=\"\" class=\"wp-image-5848\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/fotogramas-vacas-3-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/fotogramas-vacas-3-1024x576.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/fotogramas-vacas-3-1536x864.jpg 1536w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/fotogramas-vacas-3.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p><strong>HOLIDAYS \/ VACACIONES (Josemari Mart\u00ednez, Spain, 2021, 7&#8242;)<br\/><\/strong>Teresa asks her daughter Martina to choose the three things that she wants to take in the suitcase they are packing for a long holiday. Martina, who is going on holidays for the first time ever, tries to guess the destination.<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/11-frame1-la-casa-300x169.jpg\" alt=\"\" class=\"wp-image-5851\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/11-frame1-la-casa-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/11-frame1-la-casa-1024x576.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/11-frame1-la-casa-1536x864.jpg 1536w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/11-frame1-la-casa.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p><strong>THE HOUSE \/ LA CASA (Israel Medrano, Spain, 2022, 12&#8242;)<br\/><\/strong>In a suburb, on the outskirts of the city, a married couple rest peacefully at home. Someone calls at the door. It\u2019s the police and they are accompanied by a married couple and their son. They accuse them of squatting in their house. Everyone protests that the house is theirs, but someone is the fraudster. <\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"144\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/quino-388149-01-300x144.jpg\" alt=\"\" class=\"wp-image-5854\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/quino-388149-01-300x144.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/quino-388149-01-1024x491.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/quino-388149-01.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p><strong>QUINO&#8217;S DREAM \/ EL SUE\u00d1O DE QUINO (Santiago Erlich, Spain, 2021, 8&#8242;)<\/strong><br\/>The arrival of the first child reveals the difference between loving and accepting how each one is. <\/p>\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"has-text-align-center\"><strong>Exile Room<br\/>(12 Athinas str., Athens)<\/strong><\/p>\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p><strong>21.00<br\/>BERTSOLARI<\/strong><br\/>(Asier Altuna, Spain, 2011, 90\u2019)<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/bertsolarifilm5-300x169.jpg\" alt=\"\" class=\"wp-image-5915\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/bertsolarifilm5-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/bertsolarifilm5-1024x575.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/bertsolarifilm5.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p>Bertsolaris are improvisers of Basque verse. This oral tradition has skilfully evolved and adapted to the times, connecting with the youngest generations. A surprising art of austere aesthetics in these days of spectularity and special effects. A performance that in the grand finale of the last championship gathered 14,000 people to watch 8 bertsolaris vie live against one another.<\/p>\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Tuesday 23 May 2023 \u2013 With free entry<\/strong><\/h3>\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Hellenic American Union (22 Massalias str., Athens)<\/strong><\/h4>\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p><strong>18.30<br\/>STEPPING INTO THE BOUNDARY \/ MUGA DEITZEN DA PAUSOA (PASO AL L\u00cdMITE)<\/strong><br\/>(Maider Oleaga, Spain, 2018, 80\u2019)<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/muga-deitzen-da-pausoa-6-300x169.jpg\" alt=\"\" class=\"wp-image-5912\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/muga-deitzen-da-pausoa-6-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/muga-deitzen-da-pausoa-6-1024x575.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/muga-deitzen-da-pausoa-6.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p>Two women will met at an apartment in San Sebastian, one is alive and she is the filmmaker, the other one is called Elvira Zipitria Irastorza, and she died in 1982. The filmmaker will find out very soon that Elvira run the first Basque clandestine school in that same apartment, for 30 years, under the harsh Franco dictatorship. She made a huge effort to protect Basque language and culture in different fields. And despite her pioneering work, she is not much known in the Basque Country or elsewhere.<\/p>\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p><strong>20.00<\/strong><\/p>\n\n<p><strong>Short films: cortoFeCHA 2023<br\/><\/strong>Duration 66\u2019<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"127\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/monstruos1-300x127.jpg\" alt=\"\" class=\"wp-image-5857\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/monstruos1-300x127.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/monstruos1.jpg 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p> <strong>THE BOY WHO PORTRAYED MONSTERS \/ EL NI\u00d1O QUE RETRAT\u00d3 MONSTRUOS (Victor Izquierdo, Spain, 2023, 8&#8242;)<br\/><\/strong>In the twilight of his life, Francisco de Goya reflects on his black paintings in his Quinta on the banks of the Manzanares.<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/44-frame1-flechas-300x200.jpg\" alt=\"\" class=\"wp-image-5860\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/44-frame1-flechas-300x200.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/44-frame1-flechas-1024x684.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/44-frame1-flechas-1536x1026.jpg 1536w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/44-frame1-flechas.jpg 1617w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p><strong>ARROWS \/ FLECHAS (Imanol Ruiz De Lara, Spain, 2023, 16&#8242;)<br\/><\/strong>Gabrielle, Emma, Leire and Zoe sneak out of their rooms at a boarding school for a night out at the center&#8217;s gym. But a secret from Gabrielle and her friend Emma&#8217;s jealousy causes tension to spiral out of control when Gabrielle walks into the gym with a bow and arrows.<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/49-frame4-un-pasaje-sin-regreso-300x169.jpg\" alt=\"\" class=\"wp-image-5863\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/49-frame4-un-pasaje-sin-regreso-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/49-frame4-un-pasaje-sin-regreso-1024x576.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/49-frame4-un-pasaje-sin-regreso-1536x864.jpg 1536w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/49-frame4-un-pasaje-sin-regreso.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p><strong>ONE WAY JOURNEY \/ UN PASAJE SIN REGRESO (Jos\u00e9 Gomez De Vargas, Dominican Republic, 2022, 20&#8242;)<br\/><\/strong>Ricardo, a former gang member, tries to keep his son Joel out of the streets, but the legacy he has laid over his son is stronger than Ricardo\u00b4ss intentions.<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/36-frame3-amarradas-300x169.jpg\" alt=\"\" class=\"wp-image-5866\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/36-frame3-amarradas-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/36-frame3-amarradas-1024x576.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/36-frame3-amarradas-1536x864.jpg 1536w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/36-frame3-amarradas.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p><strong>ROPED\/ AMARRADAS (Carmen C\u00f3rdoba Gonz\u00e1lez, Spain, 2022, 10&#8242;)<br\/><\/strong>Mother and Daughter are roped for life by an eternal bond that heals and hurts, and that is perpetuated when Daughter becomes a Mother.<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"141\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/laluz9-300x141.jpg\" alt=\"\" class=\"wp-image-5869\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/laluz9-300x141.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/laluz9-1024x480.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/laluz9-1536x720.jpg 1536w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/laluz9.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p><strong>THE LIGHT \/ LA LUZ (Iago de Soto, Spain, 2021, 13&#8242;)<br\/><\/strong>19th century. In a small coastal village, Olalla and her family prepare for the night of \u201cThe Truce\u201d. There is only one rule: no lights should stay on tonight.<\/p>\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Instituto Cervantes (31 Skoufa str., Athens)<\/strong><\/h4>\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p><strong>21.15<\/strong><br\/><strong>Screening of animation in collaboration with Animasyros<\/strong><\/p>\n\n<p><strong>THE OTHER SHAPE \/ LA OTRA FORMA (Diego Felipe Guzman, Colombia, 2022, 99\u2019)<\/strong><\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-otra-forma-d-1920x1080-1-300x169.jpg\" alt=\"\" class=\"wp-image-5839\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-otra-forma-d-1920x1080-1-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-otra-forma-d-1920x1080-1-1024x576.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-otra-forma-d-1920x1080-1-1536x864.jpg 1536w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-otra-forma-d-1920x1080-1.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p>Peter Press has been living with a press for 20 years and has completed his squaring process. But an incident forces him to remove his press and to take on a different Shape. This will go up against his beliefs and endanger his entrance to paradise. He starts a journey where he discovers that the Other Shape is the last trace of his individuality.<\/p>\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Friday 26 May 2023 \u2013 With free entry<\/strong><\/h3>\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Hellenic Open University (4-6 Gravias str., Athens)<\/strong><\/h4>\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"has-text-align-left\"><strong>19.00<\/strong><\/p>\n\n<p><strong>Screenwriting Masterclass by F\u00e9lix Viscarret<\/strong><\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/1475484599993-300x169.jpg\" alt=\"\" class=\"wp-image-5931\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/1475484599993-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/1475484599993-1024x576.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/1475484599993.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p>On Friday the 26th May at 19.00 at the Hellenic Open University (4-6 Gravias str. Athens) F\u00e9lix Viscarret will present a masterclass on script writing that is based on a novel, drawing from his own experiences. The acclaimed Spanish director and scriptwriter F\u00e9lix Viscarret returns to Athens\u2019 FeCHA Festival to present his film \u201cSTARING AT STRANGERS (No Mires a Los Ojos)\u201d, based on the novel by \u201cDesde la sombra\u201d by Juan Jos\u00e9 Mill\u00e1s. The masterclass is with free entry, will be in English with a total duration of 70\u2019.<\/p>\n\n<p>A few words about the director<br\/>He has been awarded with a Goya in the Best Adapted Screenplay category for his movie \u201cBajo Las Estrellas\u201d\u00bb, has written and directed the Netflix mini-series, \u201cCuatros Estaciones en Habana\u201d, based on the novels by Leonardo Padura. He has also directed the Goya-nominated documentary &#8220;Saura(s)&#8221;, a portrait of the great Spanish director Carlos Saura. Moreover he has directed the acclaimed HBO mini-series &#8220;Patria&#8221;. At FeCHA he will present his film &#8220;STARING AT STRANGERS (No Mires a Los Ojos)&#8221;, based on the novel by &#8220;Desde la sombra&#8221; by Juan Jos\u00e9 Mill\u00e1s, and is awaiting the release of his new film &#8220;Una vida no tan simple&#8221; with an original script by him.<\/p>\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Wednesday 7 June 2023 \u2013 With free entry<\/strong><\/h3>\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Instituto Cervantes (31 Skoufa str., Athens)<\/strong><\/h4>\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p><strong>21.00<\/strong><\/p>\n\n<p><strong>&#8220;Diversidad&#8221; screening as part of Athens Pride Week<\/strong><\/p>\n\n<p><strong>THE EPHMERAL \/ LO EF\u00cdMERO<br\/><\/strong>(Jorge Muriel, Spain, 2020, 20\u2032)<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/efimero-martines-300x169.jpg\" alt=\"\" class=\"wp-image-5874\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/efimero-martines-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/efimero-martines-1024x575.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/efimero-martines.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p>Two strangers meet in a subway car. Both bring their past with them. Both look from their present. Both will determine their future in that fleeting, and ephemeral, vital journey that brings them together briefly. Nominated for a Goya. Screening with the presence of the director<\/p>\n\n<p><strong>THE CONTESTANT \/ LA CANDIDATA<br\/><\/strong>(Emil Guevara Malav\u00e9, Ronald Rivas Casallas, Venezuela, 2021, 78\u2019)<\/p>\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-candidata-still-1-300x169.jpg\" alt=\"\" class=\"wp-image-5880\" srcset=\"https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-candidata-still-1-300x169.jpg 300w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-candidata-still-1-1024x577.jpg 1024w, https:\/\/fecha.gr\/wp-content\/uploads\/2023\/04\/la-candidata-still-1.jpg 1420w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n<p>Argenis, Yanvaldo, Carlos, Eduardo, and Javier have something in common: they will compete in the Miss Gay Venezuela, a trans beauty contest where the man who most resembles a \u201cMiss\u201d wins. For several weeks, we follow them in their preparations for the final night of the contest, seeing their journey to become a beauty queen for one night.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monday 22 May 2023 \u2013 With free entry Hellenic American Union (22 Massalias str., Athens) 18.30 THE DEER \/ OREINA (CIERVO)(Koldo Almandoz, Spain, 2018, 85\u2019) Khalil is a rootless young man who lives in the city\u2019s margins, where industrial estates bank onto the river and the marsh. He survives as well as he can, spending his days with a poacher&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"powered_cache_disable_cache":false,"footnotes":""},"class_list":["post-6005","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Extra Activities 2023 - FeCHA - Festival de Cine Hispan\u00f3fono de Atenas \/ Hispanic Film Festival of Athens<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fecha.gr\/en\/extra-activities-2023\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Extra Activities 2023 - FeCHA - Festival de Cine Hispan\u00f3fono de Atenas \/ Hispanic Film Festival of Athens\" \/>\n<meta property=\"og:description\" content=\"Monday 22 May 2023 \u2013 With free entry Hellenic American Union (22 Massalias str., Athens) 18.30 THE DEER \/ OREINA (CIERVO)(Koldo Almandoz, Spain, 2018, 85\u2019) Khalil is a rootless young man who lives in the city\u2019s margins, where industrial estates bank onto the river and the marsh. 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