{"id":1618,"date":"2018-05-07T14:40:01","date_gmt":"2018-05-07T11:40:01","guid":{"rendered":"https:\/\/fecha.gr\/?page_id=1618"},"modified":"2018-05-08T21:48:36","modified_gmt":"2018-05-08T18:48:36","slug":"schedule-2018","status":"publish","type":"page","link":"https:\/\/fecha.gr\/en\/schedule-2018\/","title":{"rendered":"Schedule 2018"},"content":{"rendered":"

Thursday 31st May<\/strong><\/p>\n

 <\/p>\n

21.30<\/strong><\/p>\n

 <\/p>\n

\"\"The Warning \/ El Aviso (Daniel Calparsoro, Spain, 2018, 92′)<\/strong><\/a><\/p>\n

 <\/p>\n

2008: A man is shot in a convenience store in a seemingly random act of violence. But was it random? As the victim lays in coma, his math-whiz best friend begins to decipher a history of eerily similar events occurring in the same location.<\/p>\n

2018: a bullied boy receives an anonymous warning that should he enter that convenience store on his tenth birthday he will surely die.<\/p>\n

 <\/p>\n

 <\/p>\n

A cocktail party with SOL beer & Havana Club after the screening<\/strong><\/em><\/p>\n

 <\/p>\n

Friday 1st June<\/strong><\/p>\n

 <\/p>\n

20.50<\/strong><\/p>\n

 <\/p>\n

\"\"Masks \/ M\u00e1scaras (F\u00e9lix Viscarret, Cuba \u2013 Spain, 2016, 90′)<\/a><\/strong><\/p>\n

 <\/p>\n

Based on Leonardo Padura’s best-selling novel<\/strong>
\nCuba:In the scalding summer of Havana, the body of a gay young man and son of a diplomat is found, leading Conde to a world of sexual possibilities.<\/p>\n

.<\/p>\n

 <\/p>\n

 <\/p>\n

The director will present the film<\/strong><\/em><\/p>\n

 <\/p>\n

23.00<\/strong><\/p>\n

 <\/p>\n

\"\"The Motive \/ El Autor (Manuel Mart\u00edn Cuenca, Spain – M\u00e9xico, 2017, 112′)<\/a><\/strong><\/p>\n

 <\/p>\n

\u00c1lvaro gets a divorce from his wife, who is a successful writer, and obsesively decides to write \u201chigh literature,\u201d despite the fact that he is absolutely talentless. Creative writing courses prove fruitless, so he starts writing about events he provokes himself, by framing people of his environment. He is so absorbed by the conspiracy for a murder, that he fails to see who the real victim is\u2026A black comedy that is in its turn based on a book by Javier Cercas (Soldiers of Salamina) draws us into a maelstrom of reflections, which proves that real life is nothing but the most convincing confection.<\/p>\n

 <\/p>\n

 <\/p>\n

Saturday 2nd June<\/strong><\/p>\n

 <\/p>\n

20.50<\/strong><\/p>\n

 <\/p>\n

\"\"Lord, Give me Patience \/ Se\u00f1or, dame paciencia (\u00c1lvaro D\u00edaz Lorenzo, Spain. 2017, 91′)<\/a><\/strong><\/p>\n

 <\/p>\n

That a conservative and traditional man\u2019s life would get turned upside down when his wife accidentally dies is normal. But when he has to take her ashes on a road trip to Cadiz with his entire family then all bets are off!<\/p>\n

Going with him are his gay son (whom he hasn\u2019t spoken to in two years), his sons fianc\u00e9 (a hot black basque man), his older daughter and her husband ( a catalan that never picks up the check) and his youngest daughter and her new boyfriend (a radical communist hippie). It will be a life changing trip that would open his eyes and soften his heart.<\/p>\n

 <\/p>\n

 <\/p>\n

23.00<\/strong><\/p>\n

\"\"Boy Missing \/ Secuestro (Mar Targarona, Spain, 2016, 105′)<\/a><\/strong><\/p>\n

 <\/p>\n

Patricia de Lucas, a reputable lawyer, sees her life turned into a nightmare when her son V\u00edctor disappears from school without a trace. Hours later, the boy reappears, bruised and clammy with sweat, claiming that a man tried to kidnap him, but that he managed to escape.<\/p>\n

The police mobilize and after V\u00edctor identifies him in a line-up, they manage to find the man seemingly responsible. But the proof is insufficient and the presumed kidnapper is set free. That is when Patricia\u2014scared and fearing for her son\u2014decides to do what she\u2019s never done before: take justice into her own hands. But the situation gets out of control and her actions will have unforeseen consequences.<\/p>\n

 <\/p>\n

 <\/p>\n

Sunday 3rd June<\/strong><\/p>\n

 <\/p>\n

20.50<\/strong><\/p>\n

 <\/p>\n

\"\"Sergio & Sergei \/ Sergio & Sergu\u00e9i (Ernesto Daranas, Cuba \u2013 Spain – USA, 2017, 93′)<\/a><\/strong><\/p>\n

 <\/p>\n

It\u2019s 1991, the USSR is gone and the Cold War is over, but one man has yet to find out: on the space station Mir, Sergei, the last Soviet cosmonaut, can see the entire planet but his own country has disappeared. With no funds to bring him back, he\u2019s now circling the Earth 16 times a day, cut adrift from his land and home.<\/p>\n

Meanwhile in a crumbling Cuba, the Communist dream is also coming to an end for Sergio, a Marxism philosophy professor and Radio enthusiast. Surviving in Havana now means running a clandestine rum distillery and an illegal cigar factory with his 65-year-old mother.<\/p>\n

One fateful night, an exchange of radio frequencies accidentally connects Sergio and Sergei. The two men quickly form an unusual friendship in a world of political uncertainty. When a meteorite suddenly damages the Mir, Sergei asks Sergio to help him get back to Earth. With the help of an American friend having connections at NASA, Sergio designs a plan to rescue Sergei from the icy depths of space. But Sergio doesn\u2019t know that he is under surveillance and that his plan will be watched every step of the way\u2026<\/p>\n

 <\/p>\n

 <\/p>\n

23.00<\/strong><\/p>\n

 <\/p>\n

\"\"Breadcrumbs \/ Migas de Pan (Manane Rodr\u00edguez, Uruguay – Spain, 2016, 109′)<\/a><\/strong><\/p>\n

 <\/p>\n

Liliana Pereira is returning to her country. There she will have to con- front a past which meant persecu- tion, imprisonment and the loss of custody of her son.<\/p>\n

A victim with other women of systematic violence, Liliana must choose between what her heart demands and what her conscience dictates.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Monday 4th June<\/strong><\/p>\n

 <\/p>\n

20.50<\/strong><\/p>\n

 <\/p>\n

\"\"I am Gilda \/ Gilda, no me arrepiento de este amor (Lorena Mu\u00f1oz, Argentina \u2013 Uruguay, 2016, 116′)<\/a><\/strong><\/p>\n

 <\/p>\n

I\u2019m Gilda tells the story of Gilda \u2013 the Argentinian singer of the \u201890s who, at 36 years old, died tragically in a car accident during the peak of her career.<\/p>\n

Born Myriam Alejandra Bianchi, Gilda rose to success after she previously worked as a teacher and a gardener. From the age of 30, it took her a mere six years to achieve what many musicians never achieve in their whole lives, earning her cultural status as popular as a saint.<\/p>\n

Played to perfection by the earnest Natalia Oreiro (whose own vocals are used to replicate Gilda\u2019s in this film), Gilda is painted as a struggling heroine who defied the odds in order to achieve her dreams, even in the face of personal hardship.<\/p>\n

A tragic retelling of an enigmatic talent cut down in her prime.<\/p>\n

 <\/p>\n

 <\/p>\n

23.15<\/strong><\/p>\n

 <\/p>\n

\"\"Family \/ La Familia (Gustavo Rond\u00f3n C\u00f3rdova, Venezuela \u2013 Chile \u2013 Norway, 2017, 82′)<\/a><\/strong><\/p>\n

 <\/p>\n

Twelve-year-old Pedro roams the streets with his friends, raised by the violent urban atmosphere around him in a working class district of Caracas. After Pedro seriously injures another boy in a rough game of play, single father Andr\u00e9s decides they must flee to hide.<\/p>\n

Andr\u00e9s will realize he is a father incapable of controlling his own teenage son, but their situation will bring them closer than they have ever been.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Tuesday 5th June<\/strong><\/p>\n

 <\/p>\n

20.50<\/strong><\/p>\n

 <\/p>\n

\"\"The Last Suit \/ El \u00daltimo Traje (Pablo Solarz, Argentina \u2013 Spain, 2017, 86′)<\/a><\/strong><\/p>\n

 <\/p>\n

Abraham Bursztein, an 88-year old Jewish tailor, leaves Buenos Aires for Poland, where he will try to find the man who saved him from a ertain death after surviving Auschwitz. Escaping from his family who wanted to put him in a nursing home, against all odds, after more than seven decades with no news from him, Abraham will attempt to find his old friend and fulfil his promise of returning one day to tell him all about the life he had thanks to his courage.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

22.50<\/strong><\/p>\n

 <\/p>\n

\"\"One Last Afternoon \/ La \u00daltima Tarde (Joel Calero, Peru, 2016, 81′)<\/a><\/strong><\/p>\n

 <\/p>\n

After 19 years without seeing each other, two former \u201cguerrilleros\u201d reunite to sign their divorce papers. As they catch up with their lives and revisit their shared romantic and political past, they unveil intimate secrets to finally discover who they truly are and how much their country and convictions still hurt them.<\/p>\n

ONE LAST AFTERNOON transcends its time and place, capturing the sentiment of a whole generation, who during the 1970s and \u201980s believed that insurgency.was the path to social justice.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Wednesday 6th June<\/strong><\/p>\n

 <\/p>\n

20.50<\/strong><\/p>\n

 <\/p>\n

\"\"Black Snow \/ Nieve Negra (Mart\u00edn Hodara, Argentina \u2013 Spain, 2017, 91′)<\/a><\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Salvador lives isolated in Patagonia after being falsely accused of murdering his own brother when they were teenagers. Many decades later, his brother Marcos and sister-in-law Laura come to try to convince him to sell the some remote family property.. This encounter in the middle of nowhere will not only rekindle their rivalry but forces their conflicting ideas about victim and murderer, and innocence and guilt, to rise to the surface\u2026 again.<\/p>\n

 <\/p>\n

23.00<\/strong><\/p>\n

 <\/p>\n

\"\"The Dragon’s Defense \/ La Defensa del Drag\u00f3n (Natalia Santa, Colombia, 2017, 79′)<\/a><\/strong><\/p>\n

 <\/p>\n

Three friends who grow old spend their time in coffee shops in Bogot\u00e1 and meet regularly at a legendary chess club. No matter how good they are in chess, they fail to make any strategic move when it comes to life decisions.<\/p>\n

A young female director manages to capture the mental trace of aging masculinity and, at the same time, draws a nostalgic urban portrait of a multifaceted global city.<\/p>\n

Special Embassy Screening<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Thursday 31st May   21.30   The Warning \/ El Aviso (Daniel Calparsoro, Spain, 2018, 92′)   2008: A man is shot in a convenience store in a seemingly random act of violence. But was it random? 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